Papers:

 “Postmodern Art in Muriel Spark’s Novels.”English and American Literary Studies. Fall (2011): 396-402.

 “Metafictional Strategies in Muriel Spark’s Novels.”Contemporary Foreign Literature 2 (2011): 42-50.

 “Seamus Heaney’s Identity Predicament and His Corresponding Strategy.”Translations 4 (2012): 5-14.

The Art of Nouveau Roman in The Driver’s Seat.”Journal of Zhejiang International Studies University 2 (2012): 41-46.

 “A Survey of the Study on Muriel Spark in Foreign Countries.” Contemporary Foreign Languages Studies 4 (2012): 67-72.

 “A Tentative Probe into Muriel Spark’s Narrative Theory.” Foreign Language Education 4(2013): 90-93.

 “The Colorful Portraits of Women Characters in Muriel Spark’s Fiction.”  English and American Literary Studies (Fall) 2013: 81-90.

 “The Intertextual Strategy in Muriel Spark’s The Comforters.”Foreign Literature Studies. 5(2015): 105-112.

 “A Comparison of War and Peace and a Farewell to Arms.”Scholars Journal of Arts, Humanities and Social Sciences 3.9 (2015): 1423-1428.

 “Tender Is the Night” and F. Scott Fitzgerald’s Sentimental Identities. Modernism/Modernity 22.4 (2015): 846-848.

 “The Art of the Nouveau Roman in The Driver’s Seat.” International Journal of Social Science Studies. 4.1 (2016): 83-92.

 “Muriel Spark’s Introspection: on the Multiple Themes of The Finishing School.” Foreign Studies. 3（2016）：55-60.

 “On Muriel Spark’s Life Writing.”Foreign Literature 4（2016）：51-59.

 “Narrative Strategy in The Prime of Miss Jean Brodie.”English and American Literary Studies (Spring) 2016: 113-124.

 “A Review of The Series of the Academic History of Foreign Literature Studies.”Foreign Literature Studies 3（2016）：161-164.

 “The Metafictional Strategy in Muriel Spark’s The Finishing School.”Foreign Literatures 1（2017）：125-132.

Books：

1. The Postmodernist Art in Muriel Spark’s Fiction. Xiamen: Xiamen University Press, 2011.

2. Co-authored with Weiping Li. What is Modernist Literature. Shanghai: Shanghai Foreign Language Education Press, 2011.